Category Archives: grades

Nutcracker’s over for another year. Julian did a great job. He looked quite regal in red and white, and his partnering was commendable. The production, overall, was superb.

Now we are on to Youth American Grand Prix rehearsals. We started rehearsing earlier this fall, but the kids took time off during the last weeks of Nutcracker rehearsals. Well, Julian and his partner actually did do some rehearsing will at the center for performing arts and just about every chance they got.

We really aren’t sure if they will be totally “ready” come time…and we haven’t decided on when they’ll actually compete…but they will compete even if just for the experience. We may have to wait and go to San Diego just to give them more time.

Julian hopes to take the choreography he’s created for three girls – his first stab at choreography- at TDC and revamp it a bit for himself and enter that as a YAGP contemporary solo as well. Maybe he can also enter it for a choreography award. I’m not sure how all of this works; I actually know little to nothing about YAGP at this point. Time to bone up on the competition, I guess.

As for Second Stage, TDC’s winter production in Mountain View, we are well on our way for that. Julian is the first one to finish his piece for the student choreography track. He’s now got to clean it up. The kids are also rehearsing a variety of numbers. Julian is in one piece of student choreography, a contemporary duet, a tap piece, a hip hop number, a modern piece, and a group contemporary piece.  So, he’ll be sort of busy. (Second stage is the last weekend of January…another reason not to compete YAGP in San Francisco this year, since the competition falls on the same weekend.)

Let’s see if Julian can also get through midterms (mid-January) and get his grades up (yes…still could be improved). At least the girlfriend has left the scene (Julian’s doing), so maybe he’ll be able to focus on the really important things: dance and school.

In the meantime, Happy Chanukah to all my Jewish readers.

In case you were wondering, I haven’t abandoned this blog. I’ve been a bit busy…first with the Jewish High Holy Days and then with my second ACL surgery in 14 years. Yes…that fall down the stairs in New York ended me up under the orthopedic surgeon’s knife on September 29th (after a preliminary visit to Julian’s sports specialist and an MRI). I’ve been slowly recovering…more slowly than most ACL surgery patients since I had to have both the previous screws that were placed into my knee before (and the previous graft) removed before they could put in the new ones.

Anyway, life goes on in the “dance lane.” I’ve been home nursing myself back to health. I took a week off and then began doing a bit of work here and there. Then this week a big storm his Northern CA, our first of the season (a bit early), and that knocked our power out for three days. Oops. Time off for me…nice especially since I was coming down with whatever virus or flu my daughter was spreading around with her cough.

As for Julian, he’s, of course, dancing up a storm. Things are going well at TDC. He’s working really hard–still drawing on that NYC energy. He’s in all the pieces of choreography this year so far, although one choreographer probably won’t use him since he has to miss one of her sessions for a Nutcracker performance. Nutcracker is going really well. He’s very excited that he chose to once again do the San Jose Dance Theater production, since as the prince he is getting to do some great partnering. This is something really missing in his normal year-r0und training. He is also getting a few solos with some “guy” stuff thrown in. Additionally, quite a number of Sunday rehearsals are attended by Maximo Califano from Ballet San Jose, which means Julian gets somewhat of a private lesson with a male ballet dancer. He’s worked on an awesome lift last weekend, but Maximo wasn’t there to help; Julian hopes he’ll be there this weekend. Choreographer Marcie Ryken saw the lift in a Ballet San Jose production recently.

Julian is really enjoying the choreography track at TDC this year. It’s the first time he’s tried choreographing for others…or for himself really. I think the girls are really working hard doing very physical choreography–things Julian would choose to do himself. So far, however, his teachers have been happy with the progress he’s made and with the piece itself. I’ll write more about the process another time.

Other than that, Julian is doing better in school. He started out with a bang and recently lost his focus. I think a bit of being grounded has helped him regain that! He has a girlfriend now, and he has become somewhat “popular,” even hanging out with some popular jocks at the school. So, he feels he has turned a corner when it comes to his social life. However, he was sad to discover that his little group (just two girls really) ditched him at the beginning of the year. I think that propelled him into some other groups, though, and even some kids who really disliked him before are beginning to like him.

I chalk all of this up to this past summer in NYC and at American Ballet Theatre (and at Broadway Dance  Center). I think the level of confidence he developed and the degree of determination with which he returned made a huge difference in how he saw himself and how others saw him. When he was clear (or clearer) about who he was and where he was going, I think his energy changed and people started treating him differently. Not that he didn’t know this before, but his commitment was different. And they felt that.

So, all in all…things are going well in the dance lane, I’d say. I promise I’ll try to get another guest blog post up soon. I still have to transcribe my interview with Denise Wall…but I will, I promise!

Julian began school on Monday. This year he’s a sophomore. He seems to have a new attitude (Thank God!) about school, schoolwork and grades. In fact, one of his best friends and a fellow dancer told me yesterday that Julian is “a different person.” It seems he was angry at her for talking on the phone rather than doing homework. Last year, I guess he didn’t have a problem with that (which would explain his terrible grades). While she spoke on the phone, he put in his Ipod earphones so he couldn’t hear her her and worked. Yahoo!

Maybe the trip to New York University, which is where he says he wants to go to college (if he isn’t recruited by Rasta Thomas first — his dream job at the moment) actually did the trick. I kind of hoped that if he got excited about a program and saw what it was going to take to get into a good school he’d get his act together. I do have to say, however, that his sister did have terrible grades as a freshman as well and then did really well after that. They both probably should have been held back before starting school since they were summer babies, but…too late now. Anyway, I hope Julian’s new attitude continues.

He appears to have a new attitude and work ethic at dance as well–left over from American Ballet Theatre and Broadway Dance Center. Dance at Teen Dance Company, however, doesn’t officially start until after Labor Day. That said, Julian has been dancing just about every day. He had choreography sessions most of last week and last weekend. He has also attended all the ballet and contemporary drop in classes offered at TDC. Additionally, he went to a ballet class at Los Gatos Ballet yesterday and tonight he is back at Studio 10 for jazz.  He’s trying to stay in shape, plus he simply wants to dance.

We received an evaluation form from ABT, much to our surprise. Julian got mostly “very good” and “good” grades. (The only thing better would be an “excellent.”) He was impressed with the fact that they thought his adagio was “very good.” I thought it was funny that all his “excellent” marks were in the areas of “presentation” and “class etiquette and presentation.” Well, he does like to look good, but you can’t say, “It’s better to look good than to dance well,” when it comes to ballet. (That was supposed to be a play on, “It’s better to look good than to feel good.” If you have to explain the pun, I guess it doesn’t really work.) These areas included dress, grooming, attitude, motivation, effort, progress, attendance, and dress code.  Actually, I’m proud he scored so well in these areas, and overall, he didn’t get one “satisfactory” or “needs improvement,” so I was a proud dancer’s mom. And Julian felt pretty good about himself as well. I think he was particularly happy that in the comment’s box it said, “Good partnering skills, and that is important for a boy.” (He felt that was the most important thing he learned this summer.

So, now to put everything he learned to use this year — including that new work ethic and attitude — both in school and in the studio. I hope he manages to be successful in both places. That would avoid so many fights and issues. And it would make him feel great.

In the meantime, we are grappling (already and it isn’t even September) with which Nutcracker to do. I think I already mentioned that. We still haven’t decided. The professional one seems enticing, but with no choreography set and a “child” role, there’s no telling what Julian will be doing. Plus, it requires all that driving to San Francisco and giving up social time on Fridays (no football games and dances for Julian — and no Shabbat services for me). The other production, which Julian was in last year, offers him the chance to be the Nutcracker prince. The choreographer said she’ll give him solos and lots of dancing and partnering work…but that will all have to be set on him as well. It’s not been done that way before. Yet, it’s local and she works around his schedule. (No Friday rehearsals…whoo hoo!) It could be a mute point, though, if any of the tech rehearsal dates conflict with TDC 2nd Stage tech rehearsals in December. So…it’s all up in the air.

With that said, I’ll leave you all to ponder for me the pros and cons and possibilities. I have to go off and search out more photos of Julian dancing. We wrote dueling columns for an upcoming issue of Movmnt magazine (the issue is focused on the topic of  ”family”), and they needed photos of him dancing. I didn’t really have any good ones. (Bad mom, I know.) So, I’ve had to search some out. While extremely time consuming, I must say I came up with quite a few from both TDC’s 2nd Stage and Concert performances last year, Los Gatos Ballet’s Copellia production, and even ABT’s final summer intensive performance. (Now I also have to buy some!)

Hopefully, next week I’ll have time to post what will probably be just the first in a series of blogs based on my conversation with Denise Wall, mother of choreographer Travis Wall and dancer Danny Tidwell.  (That’s if I can get away from the photo search and column writing for Movmnt, and other miscellaneous projects, to get caught up on my editing work.)

I dropped Julian off for dance today and stopped for a moment to look into the studio. What a small class! And one new student! Oh, yes…the season is over, I remembered. The kids are expected to be there (but not really required), and classes are now open to the public for drop ins. 

I picked him up after class, and we rushed off to Studio 10 for a jazz class — an attempt to get in great shape for ABT. However, the hour and a half I paid for turned out to be just 45 minutes, since the rest of the time was spent rehearsing the recital number. So, much for going to Studio 10 over the next few weeks. I guess we’ll stick with Teen Dance Company. 

Anyway, that’s already paid for…and Julian has lost his punch card for Studio 10, which was probably more than half full. (You can imagine how happy that made me. He was also so pleased that I insisted on going through his dance bag; makes one wonder what he’s hiding in there  or, at the least, doesn’t want me to find — one time it was taco sauce covered shirts and tap shoes.)

I’m getting excited and nervous and stressed about going to New York with Julian for those seven weeks this summer. I know it will be fun, but I have soooo much to do before we go. And really, his pubescent hormones and my perimenopausal hormones don’t mix well a lot of the time. It makes for a rather volatile situation. The rest of the time, however, we have a lot of fun. 

I think I have an editing client coming in, which will keep me very busy but will help pay our expenses in New York. Better than that, this might mean we have the money to go see some Broadway shows while we are there. We did plan on seeing some dance companies if possible — education for Julian a la Duncan Cooper, but we weren’t sure we’d have enough money for much else. My mother took pity on us and sent us $200 this week to got to a show, so I’ll be on line tomorrow looking for some Billy Elliot tickets. I hope I can find some…I’ve heard it’s sold out.

On that note, I noticed something very interesting on the ABT summer intensive roster…a familiar name: David Alvarez. Could it be? The David Alvaraz of Billy Elliot, The Musical? What fun that would be for Julian to rub shoulders with someone who got the part for which he auditioned (and to learn what it really is like to be working on Broadway and doing the show). And do you think that maybe, just maybe, I could get him to grant me an interview for my book on mentoring boys who want to become professional dancers? (I know he’s as  young as the boys that will read the book, but he’s a working professional.) I was so hoping to get one of the Billies to agree to an interview…

In the meantime, we have to get through the next two and a half weeks, which includes finals. Julian’s grades have come up, although they aren’t great yet. He has shown that he is serious about doing better in school, although I was all over him tonight about a missed community service project and a book he should have read last week or before… In any case, he’s got a lot to do before heading off to New York. And I’ve got a ton of work to do before then as well.

Oh…by the way, the 10th Anniversary Concert was awesome!

Things are gearing up again. Julian has been practicing an old routine of his from a few years ago called “Hats” for solo studio performance on Thursday. We didn’t realize that he could actually perform in this event, so he didn’t prepare a solo. (We’ll know for next year.) So, he pulled out his very-successful piece, choreographed by ReMinD, otherwise known as Aristan Rinpoyla. When Julian competed this number, he won lots of awards for the unique choreography which is a bit like the movie “Mask;” each time he puts on a new hat, he dances a different type of hip hop.

While those who make the decisions about who performs what at the studio weren’t too keen on Julian doing a hip hop routine, they actually found the choreography “entertaining,” and allowed it into the show. Another point for ReMinD!  Julian has since been trying to get the piece back up to performance level. I’m not sure it will be quite there with just 2 weeks of sporadic rehearsals, but it will be okay.

Tomorrow, he begins rehearsals for Copellia with Los Gatos Ballet. Since tech rehearsals for this productin were in close conflict with Teen Dance Company’s concert tech week, we were afraid he wouldn’t get to do the performance. However, he’s been allowed to do it with the caveat that if his school work starts affecting attendance at TDC, he has to drop out of Copellia.

His grades are getting a bit better, I’m happy to say, and he’s only missed one assignment in 3 weeks or so. However, his honors English grade is in the basement (and that’s putting it really nicely). We’re hoping he brings it up so he doesn’t have to attend summer school. If that happens, he can kiss his ABT summer intensive scholarship and experience goodbye. That would be a shame.

This weekend he is off to The Pulse to dance with the choreographers of So You Think You Can Dance. He’s excited about that. Although he does get to work with Mandy Moore occasionally, and she isn’t with The Pulse, he hasn’t worked with Tyce Diorio, Mia Michaels, Shane Sparks, Brian Friedman, or Wade Robson before.

I’m hoping to get to the convention to watch as well, since I’d like to see these people operate myself. However, my daughter has a synchronized swimming meet on Sunday…Can’t ever be on a different day, can it?…so I’m going to miss a few of these choreographers in action. I’m sure Julian will have a blast, though.

Okay, the Teen Dance Company Second Stage performance has been put to bed, quite successfully I might add. I was quite impressed, if I do say so myself, with all the kids’ performances and with the student choreography in particular. I think it is amazing that the studio offers a student choreography track, and it’s great that even a few of the students take advantage of that opportunity. Their numbers had such variety and scope. It really was amazing.

I thought Julian looked pretty good,, but he’s my son. (I can actually be quite critical, if you want to know the truth.) He was better on Saturday night; by Sunday he was tired. Plus, at the Friday night tech rehearsal he hit his head hard enough for Mark Foehringer to be worried that he had a concussion. Of course, I was not told about the severity of this incident until Saturday night when Mark told me he couldn’t sleep on Friday night, because he was so worried about Julian. He said he almost called me at 3 a.m. to tell me to wake Julian up and check on him. Great…a little late, I thought.

Julian told me he had hit his head and had a headache afterwards and a little trouble remembering some dance combinations after that, but I really didn’t think much about it. Next time I’ll pay closer attention. He just didn’t make it seem serious, and he gets minor injuries like that a lot.

I was pleased to have a new blog reader who lives nearby show up with her son to watch the Saturday night show. That was a real thrill for me, although they left before I could talk to them when the show concluded. (Hi Sarah!)

Julian had Monday off to rest and then his Dad and I had to become the mean parents and keep him home from TDC on Tuesday when we discovered some missed assignments from the last few weeks. (He told us he had changed…handled his schoolwork…Don’t ever believe your kids. I hate to sound distrustful and jaded, but teenagers just don’t always tell you the truth. They tell you what they think you want to hear, what gets you off their back and what they want you to believe.) Then, I discovered more missed assignments, so we cut out going to jazz at Studio 10 and yesterday I drove all the way to TDC, went in and talked to Mark Foehringer, and then took Julian home. You see, I feel down on my job of Big Bad Disciplinarian. I didn’t want Julian kicked out of a spring concert piece of ballet choreography, and Mark was running a rehearsal last night. He told me it was a good night for Julian to miss rehearsal, if he was going to miss, though, so we turned around and went home.  We’ll see if missing three days of dance made any impression on him at all.  After this, missing class and rehearsal will make a bigger difference…

As for those missed opportunities, it seems that Julian’s commitment to TDC is going to prevent him from having a role in Los Gatos Ballet’s production of Copellia, which he was asked to be in. He really wants that role — maybe more to hang out with the girls than to do the dancing , but the tech rehearsal and performance are on the Thursday and Friday right before a full week of tech rehearsals for TDC’s big Concert in May. So, Mark  has initially said, “No.” Julian was bummed.

Then, he was going to be in the Studio 10 spring show, performing only in the jazz III class’ number, but that show is on June 13. School ends on June 12 and American Ballet Theatre’s summer intensive starts on June 15. We figure that we might have to get on a plane on June 13. At the least, we’ll be busy getting ready to go to New York, so this performance won’t be happening either, much to Julian’s dismay. That means he’ll be attending class between now and May and learning the choreography, but at some point he will not be able to continue with it because he’ll be sort of in the way. At least, he won’t have a spot in the number.

By the way, yesterday Julian’s dad registered him (and paid the nonrefundable deposit) for the ABT summer intensive. So, I guess that is a done deal. We have half the dance world and the magazine publishing world and my old Syracuse University friends looking for sublets for us in NYC! We have not yet notified the camp that he isn’t coming…some little bit of fear on our part that should something happen his summer will go totally to pot.

Sorry I haven’t written more this week. I’ve been busy writing for dance magazines. I finished that piece for Dance Teacher on getting boys into dance class and keeping them there, and now I’m working on another for them on how to keep tap dancers’ feet healthy. (I wrote a similar story for them on dancers feet in general last year.) I’ve also been working on a story for Dance Spirit magazine on several teen dance companies, including TDC.

Oh, my! I seem to have created quite a stir with my last post. I’ve had an influx of readers since I speculated on who might be the one leaving Billy Elliot, the Musical, which recently opened on Broadway.  I admitted I was getting my information from Movmnt Magazine, and in the comments to my last post I’ve even (upon request) quoted the magazine saying that “rumors” were floating around Broadway that one of the boys would soon be let go. However, an anonymous source that commented on that post has said that all the boys are assured six months of work and that Kiril isn’t leaving. I’m not sure who this source is (that’s why he/she is anonymous, obviously), so I also don’t know where this information comes from or how accurate it is. So, if someone wants to step forward with real information and credentials (or something) to back up  that information, obviously the readers of this blog would love to hear what he or she has to say.

On a totally different topic, I finally managed to get a hold of Nick Lazzarini, the winner of the first season of Fox’s So You Think You Can Dance. (Gotta love Facebook…)  And he happened to be home for Christmas and said he’d be happy to grant me a face-to-face interview for my book on how to mentor boys who want to become professional dancers. So, I met with him today. (Interestingly, Julian has danced in some of the same studios as did Nick — Dance Attack and Studio 10. Nick also danced with Mark Foehringer while he was still teaching and directing at Western Ballet in Mountain View, and Mark now teaches Julian ballet at TDC.)

What a lovely man! He was so forthcoming and pleasant and offered nice stories and tips for the boys who might want to follow in his footsteps. Actually, he encouraged boys not to follow in anyone else’s footsteps but rather to find their own path and take their own journey in the dance world.

On the subject of grades and school, since that’s been a hot topic here lately, I’ll mention that Nick was working and performing and was primarily home schooled for the first year of high school. He then chose to continue this track and get his GED, because it relieved the pressure that school placed upon him. This also gave him the freedom to focus on dance and to go to LA and NY for dance classes and such. He actually graduated at the age of 16.

I told him Julian liked the social aspect of school and didn’t want to give that up despite his dislike of studying and homework, and he reiterated what almost everyone I’ve interviewed to date has said: His best friends all came from the dance world and continue to be from the dance world.

He did say that he was a bit sorry he didn’t go on to study dance at the conservatory level but rather began working right away. Of course, conservatories don’t offer academics…but they do offer another path for those boys who aren’t enamored with school.

Julian’s high school does offer an alternative track where you can come in on Monday and get all your work for the week and then hand it in on Friday. Julian doesn’t want to do this. He likes being with the other kids. And I’m not going to home school him, that’s for sure. I’m not cut out for that job. (I dont’ have the patience – or the knowledge! So, I guess he’ll have to deal with the pressures of midterms and finals and tests in general unless he gets too fed up – or gets offered a great part – and has to make another choice. That said, for those boys who don’t want to handle the pressures of school and are satisfied with the social time the get at the dance studio, opting for an alternative route of study in high school or middle school can be a saving grace, I’m told. Nick wouldn’t have done it any other way. The “Billys” are all tutored and I bet many of them have been home schooled before as well (I’m guessing), as have many or most child actors and actresses.

Nick told me so much more, but I have to keep some things for the book, which I will hopefully be proposing to an agent in the New Year.

It’s the Friday before the holiday break. Normally, I’d be breathing a sigh of relief. No dance for two whole weeks! No getting up early for school!  Less driving! Less stress! No homework hassles!

But no…not in this household. Instead, I’ll be managing my delinquent son’s midterm study schedule (and habits…or lack thereof) and his community service schedule (for an English project and for a misdeed he’d rather I not mention). This requires overseeing use of his cellphone (texting)  and computer, as well as TV time. It also means overseeing study groups, so they don’t become social time.

I’ll also be working…or trying to work. And I’ll be attempting to play mediator between Julian and his Dad, who really would like to come down hard on him about his grades and schoolwork…or, again, lack thereof.

On that note, after discussing Julian’s desire not to do his homework or study for tests (although he assures me – again – that he is now going to do so) with a therapist friend of mine, I have been encouraged to take my husband’s side and take away dance if need be. Now, I was leaning this way already, and had told Julian that if he kept not turning in assignments and getting zeros, he would, indeed, leave us no choice but to take away dance. (I mean, there’s nothing left to take away…the Ipod, texting, social life, computer and TV time are all gone or have been gone at some point with little effect.) But last night we actually discussed it, and I told Julian that after his big show at the end of January we would implement some sort of consequence structure that involved losing dance for a week or more depending upon the number of missed assignments. I’m not sure if it will be a zero tolerance policy or what.

Julian’s first question was, “Does that mean missing Saturday classes and rehearsals, too?” The reason he’s concerned about this is simple: If he misses rehearsals on Saturdays often enough – more than just one or two times – he risks losing his spot in a piece of choreography. However, if he isn’t there on a weekday or a weekend when they bring in a choreographer and do auditions for a piece, he’ll also not have a chance to get into that piece of choreography. He might also miss out on being in piece of student choreography, which also requires an audition and attendance at rehearsals. So….missing a week here, two weeks there, or a whole month, could mean not getting to perform in the spring show. It also means letting down his fellow company members.

Don’t get me wrong, I hate this consequence. The last thing I want is for Julian to lose dance, but what the heck are we supposed to do? Let him keep dancing while he gets Cs and Ds in school simply because he won’t do the homework and turn it in or take the time to study for a test? He needs to learn to manage his time and to be responsible. Period.

Tough love. It’s as tough on the parents as the kids. I’ve spent quite a bit of time crying over this issue and my son this week, let me tell you. Chalk it up to perimenopausal hormonal swings if you will, but this whole thing is driving me crazy. I’ve got indigestion every day. I eat more Tums than food.

If anyone has a better solution, let me know. My therapist friend assures me that high school freshman are the worst age group to deal with. They don’t deal well with going from the top of the heap (in a three-year middle school) to the bottom of the heap (in a four-year high school). They feel out of control (and try to gain it in inappropriate ways). They are searching for themselves (in all the wrong places). Actually, my daughter also didn’t turn in work or study for tests all through her freshman year in high school, but her grades were Bs and Cs, not Ds bordering on Fs. (To give him some credit, he does have a B in geometry and in drama. He did have a B in science for a while, but I’m sure that’s a C now.)

One another note, and as a follow up to my last post, this same therapist friend told me that most kids know their sexuality by the age of about nine. This other young man who sent Julian into a tailspin about his sexuality last week said he always felt “different,” and that says a lot. It points to the fact that he has always – on some level – known he was gay. Julian, on the other hand, has never felt different in that way. He’s been different in that he wasn’t accepted, but he has been just like the other boys wanting to do “boy things” like play sports, skateboard, play with swords and guns, etc. And he liked girls and still does. Now, this could, as I said before, change. And he might dabble and experiment. And I could turn out to be wrong, and so could he, about his sexuality. That’s, however, what my friend had to say, so I thought I’d pass that footnote along to all those parents wondering about their own son’s sexual preferences.

By the way, I started a discussion thread in the new My Son Can Dance Support Group  or  ”chat room.” It involves male dancers and being teased about sexuality. Check it out at the bottom of this blog under the links. Sign in and start chatting! Or follow this link: My Son Can Dance Support Group.

For those of you who are Jewish, like me, Happy Chanukah! And don’t forget to buy your son’s some T-shirts. Check out My Brother Can Dance T-shirts and Dance Wear. If you order right away, you might even still get your shirts by Christmas. You can get all three shirts (or just 1 or 2)  for an Express Shipping fee of under $9!

Well…it seems a few of Julian’s missed assignments were caused by some emotional turmoil on my poor son’s part. After much lecturing and talking and discussing – yes, I let him talk, too – Julian spilled the beans. A fellow male dancer who is not shy about admitting he is gay told Julian he thought all people were at least a little bisexual and that Julian was, in fact, bisexual. Julian, who has liked girls since he was old enough to do so and has never questioned his sexuality before, suddently began to have doubts even though he’s never had any romantic or sexual feelings for the same sex in his life. This sent him into an emotional tailspin last week egged on by texts and FaceBook notes from this other young dancer.

I’d like to thank this young man…Really. (I’m being sarcastic. I needed this like a hole in the head…as did Julian.) I suppose, however, that  every male dancer at some point wonders about his sexuality, and maybe it’s just Julian’s time thanks to some instigation on this other boy’s part. We could have waited a bit longer, though.

Julian and I talked long and hard and, given that he hasn’t had any inclination towards homosexuality or bisexuality, we’ve taken this tact: Focus on the facts – you like girls. If, and when, you find yourself having feelings for boys, we’ll deal with it. Until then, you are heterosexual.

I can (and did) make some assumptions about why this young man (still in high school) said these things to Julian, but they are just my assumptions. I’ll probably never know the truth. What I do know to be true, however, is that since Julian happens to respect and look up to this boy, who is a better dancer and has had some professional dance experiences, his words, of course, influenced Julian to a great extent. I told Julian that, too. It’s so easy to let other people’s opinions and words affect us, especially when we respect or look up to them. Despite the fact that Julian feels he and this other boy are a lot alike, I cautioned my son that only he can know who and what he is. The problem lies in the fact that this boy confused an otherwise very clear minded boy – at least on this topic.

I suppose every parent of a male dancer also has to wonder if at some point they’ll have to have this conversation with their son…and if their son will say, “Hey, Mom (or Dad), I’m gay.” And how will you react?

Right now, I’m wondering how much these young dancing boys are influenced by the other men and boys they are around, so many of whom are actually gay. It’s difficult to find male dance teachers who are straight. I’m glad Julian has at least one… But when you stick a straight boy in among so many gay men and boys, do they somewhere along the line begin feeling like they should be gay because they dance? They could easily say, “Everyone else is, so why shouldn’t I be, too?” Or maybe it’s actually that they decide, “I should be gay. All the other male dancers are. If I’m not, there must be something wrong with me.” That’s an interesting nature vs. nurture questions, isn’t it? Might they be more accepted among their peers? That’s a scary thought. (And that’s exactly where my thoughts went with this incident.) Something to think about…

For now, I think I’ve quelled some of the upset and self-doubt with Julian. I’ve been thinking of having him talk to a counselor about his issues with homework, and I suggested that he talk to one about sexuality as well. Right now he doesn’t feel the need. I might have him do it anyway…

I’ll be curious to read your comments. And if anyone would like also to discuss this issue (or any other), you may have noticed that I recently set up a the “My Son Can Dance Support Group, A Social Network for Parents with Sons Who Dance.” You can access it right here on this blog…Go to the bottom and look under the links. Sign in and start chatting! Or follow this link: My Son Can Dance Support Group. There readers can chat together about topics that relate to their dancing sons!

I’ve got to be the most frustrated mother in the world. My son can dance, and he does, but I can’t get him to get good grades, even though he can.

I think we finally have managed to get Julian to work hard at dance. He’s always spent many hours at the studio – last year he danced five to six days a week for about three hours a pop. However, I wouldn’t have said he worked overly hard. While some of the girls came out of class dripping in sweat, Julian came out looking cool as a cucumber. This year he dances six days a week for three hours or more each day and more often than not he breaks a descent sweat in class. Plus, I do think he’s improving by leaps and bounds…well, that might be an overstatement, but he is working harder than he used to while still devoting most of his free time to dance.  When it comes to schoolwork, though, it’s another story entirely.

Julian is a smart boy, which is probably why he expects schoolwork to come easily. Up until now he could get by with the minimum of effort. And homework has been a somewhat haphazard activity done in the car for the most part as we rush to and from dance classes. This year, as a freshman in high school, he has a much more difficult and demanding workload, and he just doesn’t want to knuckle down and do what it takes to get good grades. He wants the good grades, but he doesn’t want to make the effort. And his grades totally show that he doesn’t always hand in his work or study for his tests and quizzes.

We even got him a tutor recently. This has just frustrated him all the more. She has given him more work…sheets to fill out to help him study for mid terms.

So, what does it take to get him to want those good grades as badly as he wants to be a good dancer? It’s taken quite a few years for Julian to figure out that he has to work hard at dance to get any better, but that’s still fun even when he works hard, and the results are reward enough. Studying and doing homework are not fun. A’s are a descent reward, but they don’t seem to be enough of an enticement to get him to study.

And I feel not only frustrated, but…well, hurt…that he won’t put in the effort. I put in so much effort for him, and all our extra money goes to his dancing and his sisters art and swimming. And all his dad and I ask is for some hard work and good grades in return. Ah, but parents aren’t supposed to ask for anything in return, are they?

And taking dance away as a consequence? Well, we had one dance teacher tell us that wasn’t an option. We’ve taken away the Ipod. We’ve taken away texting on his phone. We’ve taken away extracurricular activities, such as going out with friends. We’ve taken away television (he only has time to watch on Sunday mornings and Saturday and Sunday nights). What else can we take away? If we take away dance, this action affects other people – all the dancers in the  dances he is scheduled to perform for Teen Dance Company. That doesn’t seem fair. So, we are between a rock and a hard place.

We’ve tried consequences and punishments. We’ve tried rewards. We’ve yelled. I’ve cried.

Anyone have solutions? I’m all out.

On that note, to add a bit of levity to this post, all the mom’s out there really need to watch this video. I suggest we all play it all day long, or at least while our kids are at home, and then we won’t have to say anything at all. This mom says it all for us! (I’m sorry, I couldn’t get the actual video to post…and when you get to the site, click on the video that says, “The Mom Song.” If it doesn’t show up, do a search.)

The Mom Song from Northland Video on Vimeo.