Monthly Archives: July 2009

As I write, Julian is enjoying the last 30 minutes of his last class at Broadway Dance Center, an old-school hip hop class. He’s taken so many great classes the week, I can’t begin to even write about them — at least not right now. I’m too exhausted! I can’t imagine how he isn’t tired, but then again American Ballet Theatre’s intensive put him into some superb shape.

He danced for three hours on Monday, five on Tuesday and six on Wednesday, Thursday and Friday. He’s taken tap, hip hop, jazz and contemporary classes. No ballet…enough of that after six weeks, but he was super happy to find some turns in his contemporary classes. We’ve been very happy with the instruction at BDC. I’ll write more when I get home about the particular teachers he enjoyed. And he and I were both happy to have him complimented in all his contemporary and jazz classes. It seems his classical ballet training is paying off.

So, tomorrow we get back on a plane and head home. Back to normal life, whatever that is.

I’ll elaborate a bit more on our experience when I’m back on home ground. Right now, I’m going to watch Julian do some hip hop, something he rarely gets to do in California.

[By the way, thanks for all the great comments I've received since in NY!]

We are back from my mother’s and back at the dancing. Julian and I were disappointed to discover that all of the teachers he was hoping to dance with this week are gone, namely Michelle Dorrance, Jared Grimes and Derrick Grant. What a bummer. It seems that last week of July is not a great week in that sense for dancing in NYC. Many of the tap teachers take off for tap festivals around the country and other teachers are on tour as well.

Julian took a class with Glenn Douglas Packard instead of Jared Grimes. Not too shabby…He has worked with some of the biggest acts in entertainment including Pink, Marc Anthony, Missy Elliot, Nelly Furtado, Whitney Houston, Usher and Liza Minelli. He was even honored with an Emmy nomination for his artistic direction on Michael Jackson’s 30th Anniversary Celebration at Madison Square Garden. It wasn’t Julian’s favorite style of hip hop — more MTV style, as he calls it — but he knows it’s worth learning that, too, especially from someone so well known.

He had a great class with Jim Sutherland, in place of Michelle Dorrance. I don’t know anything about him, though.

Tomorrow we go off for some tours of NYU and information sessions with someone in the dance department there. Maybe knowing exactly what the dance program is like and what it takes to get in will inspire Julian to do better in school this year. A mom can only hope…

Then back to Broadway Dance Center for more  classes.

We saw Pilobolus last Saturday night. Great show! Their other dance group, Dog-it, did all the shadow work they are famous for…one very long piece. And then Pilobulos did several other pieces. They do the most phenomenal partnering work. Other than that, I don’t know that I’d call it dancing per se. I think it’s more like gymnastics. I suppose it’s a hybrid maybe of dance and gymnastics. Very interesting to watch, though, and Julian got lots of partnering ideas.  We were glad we went.

Julian spends all his time texting his ABT friends. I think he’ll really miss them.

I’m not sure he has a good way to stay in the tip-top shape he’s in right now all year long. With school and all, he just doesn’t have the time to dance six or seven hours a day with the same type of intensity that he did this summer.

Next week I’ll have a blog post from Denise Wall, I hope, and one from Julian’s first male dance teacher!

The six weeks of American Ballet Theatre’s summer intensive ended with a bang! The final performance was awesome with the advanced students, in particular, offering up some really amazing and pretty professional-looking dancing.

In particular, the violet level choreographed one number themselves (with the help of their instructor), and it was a stand out by far! There was another number featuring choreography by Twyla Tharp, and one or two others that were totally memorable. The upper level ballet pieces were all beautifully danced, as were the intermediate pieces as well.

Julian’s first piece, Fakir, was well danced, too, but, as he said, he didn’t really get to show off the ballet technique he learned during the summer. His second piece, E.J., set to several Elton John songs, was phenomenal. The dancing was good as was the choreography, and I thought Julian looked good…but I am his mother.

I never did get to talk to any of the boys about their experiences at ABT or as young male dancers. I really wanted to talk to them about the latter, but it seems most of them haven’t had the struggles Julian has had with teasing and such. That’s an interesting subject in and of itself. It seems that the majority of the boys Julian encountered either are home schooled or in performing arts schools; thus, they avoid the majority of the issues that most boys who choose to dance come across, such as being called weird or gay and being ostracized. These boys are choosing to be educated alternatively — either outside of normal school systems or within a school system where they are accepted as “normal,” because they aren’t the only boys dancing or interested in the arts.

I must add that one of the reasons many of the boys are home schooled has to do with their level of commitment to dance. They want to dance  more hours per day than they possibly could if they were in a typical school, such as the school Julian attends. Or they want to complete high school early so they can begin a professional career at an earlier age.

Julian has chosen not to do either; he was ostracized and teased for three years of middle school (longer really), and now that he feels he fits in and has friends, even though he still gets teased by some kids in his school, he doesn’t want to leave his new-found social life. He also wants to be a “normal” kid. That said, if he was offered the chance to dance in a company or in a show, he’d give it up in a second…with some regrets but without much hesitation.

I was at Broadway Dance Center and began speaking to the mother of a girl in Julian’s tap class. She was a teacher, as was her husband. She said the kids she has taught who were home schooled and then came to a public school lacked — well…how can I say this nicely? — social graces. They didn’t have the ability to get along or to solve some basic problems that occurred in social situations or in situations involving “authority figures.” She told me she believed having children complete “normal” middle and high school provided a much better life preparation. She felt children who come out of a typical school have necessary life skills that can’t be gained from home schooling.

As for schools for the arts, I think they are lovely. The kids who attend get to be with like minded children. They are nurtured and allowed to pursue their interests at a young age, and they get all that social education as well as the interaction with authority figures. However, this type of environment also fails to provide a real-life experience. Then when they get out into the world an are called “gay” or pushed around for being different, they may not know what to do.

Anyway, back to the subject of ABT: I was totally, totally, impressed with the boys, especially level blue and up. The higher level boys were something to behold!

Julian is sad that the program is over and plans, at this moment at least, to audition and come back next year. He’s made friends. He’s enjoyed himself. He’s improved immensely.

As a parent, I can say that the experience was well worth the money for him. For me…well, that’s another subject and story.

One more week in NYC. I’ll keep you posted if I can on our escapades at the New York Dance Studios. Tomorrow we aren’t doing much: one jazz class with Sue Samuels and then off to see Pilobolus. We pick up again on Monday late afternoon or evening after a trip to my see my mother once more before going home. (We travel there by bus on Sunday late morning.) More at that time.

One last note: I thought the people at ABT did a pretty superb job with the program and the performance overall. My only complaints as a parent: the fact that we were never allowed into the ABT “inner sanctum” until the last week (although I can understand that they might not want daily visits from parents), no activities for the group of attendees at all and no final group activity or anything. Not even a word at the end of the performance, which made it a little strange. I thought they should have at least come up when it was over and said something. (The directors did say something at the beginning.) But overall, well done, ABT.

The American Ballet Theatre summer intensive is winding to a close. The kids are rehearsing their numbers and getting ready to go up to LaGuardia High School, New York’s performing high school — the one the movie “Fame” was based upon — for a run through tomorrow. That’s where their final performance will be held on Friday. Two performances, and then it’s over.

I think Julian will be very sad, but he’s leaving with a really good friend or two and a much stronger and able dance body. In general, he’s become a better dancer.

Julian did get his foot “stuck” yesterday dancing in his jazz shoes for the first time. It hurt his ankle and the bottom of his foot. He tapped in the evening with Michelle Dorrance anyway, and he said it was better today. That’s his first injury since the heel jam…

In the meantime, he had a jazz lesson at Alvin Ailey with Sue Samuels, Jason Samuels Smith’s mother. He enjoyed that and plans to return this coming Saturday as well. He also had a private lesson with Jason later that same day.

OMG! Just the warm up was something to see! As Jason said, he threw everything at Julian. I’ve never seen a warm up like that one, but I suppose that’s the norm for someone as good as Jason. Julian kept up most of the time… And the rest of the hour wasn’t much easier. Jason simply assumed Julian would be able to do what ever he asked, no matter how hard. The final assessment: Julian has the ability to do it but has to work on clarity of sound. “Articulation” was the word Jason used and that Julian was asked to remember. What an opportunity that was! I took some videos, but I have to ask permission to put any of them on line…

Next week — our last — Julian will simply go from studio to studio to dance. He’ll do more than tap and ballet, taking hip hop, jazz, modern, contemporary (whatever he can find) every day. I figure we can afford about two classes a day (maybe three on some days) for the duration of our time here. We’ll not only go to Broadway Dance Center, but to Alvin Ailey, Steps on Broadway, and possibly also to Peridance Center, which is located in the same building as ABT at 890 Broadway. Of course, we are still hoping for that private with Denise Wall as well.

I must say that I’ve spent a lot in the last two weeks on Broadway shows and such. Three extra tickets to Billy Elliot cost a ton (to take my daughter), and Julian doesn’t want me to sell the other two we have. I just hope we see someone different this next time. We saw Kiril Kulish last time. (Anyone have inside info and know who is performing July 29?) We also saw Lion King, which we saw long ago but my daughter wanted to see for the costumes (she wants to be a costume designer), and West Side Story. What’s a trip to NYC for seven weeks, though, without seeing some theater?

Anyway, we are back on a budget. We do have tickets to see Pilobolus dance next week and are hoping to get discounted tickets to Stomp. Maybe we’ll try to see something at the Joyce Soho again, which is cheap, but Broadway is off limits to us at this point, and we are eating $1 pizza slices.

More soon…

OMG! We have less than a week and a half less until the American Ballet  Theatre’s summer intensive ends! Hard to believe…Julian is still having a blast, but I’m a bit homesick at this point, stressed about work and wishing we weren’t staying for an extra week. We are just doing way too much.

At ABT, Julian’s choreography classes are finishing up their numbers and preparing for the show. They have a rehearsal next Wednesday. Other than that, everything is the same as usual…and he still loves the partnering classes the most. He  learns more in those than in any other classes. Probably the biggest disappointment (other than the ballet performance piece) lies in the fact that the boys class doesn’t do a whole lot of “boy’s stuff.” It’s mostly technique and it totally depends on who teaches as to whether or not they do jumps or turns or the like.

In any case, he has learned a ton and improved. He has also made friends and had fun. His body is no longer sore, nor does his heel hurt. And he hasn’t gotten dehydrated again.

He took two tap classes at Broadway Dance Center with his old tap teacher from California and former Tap Dog Anthony LoCascio. You can see them tapping together here:

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He’s also been back to tap with Michelle  Dorrance, which he just loves despite the difficulty of the class, and last weekend he tapped with Avi Miller and Ofer Ben after buying a new pair of their Miller and Ben tap shoes. (He didn’t wear them to class, however, because I didn’t want him to get blisters!)

This weekend he has a tap lesson with Jason Samuels Smith! Whoo hoo! That’s an opportunity you don’t get every day. I wrote an article about one of his projects and interviewed him for my book on mentoring boys who want to be professional dancers…so…I had an in.

I went to NYCDA’s national convention to meet with Denise Wall, mom of Travis Wall and Danny Tidwell. I interviewed her for a blog post (that will show up here after we get home). I then went back with Julian, and we watched her company perform several of pieces choreographed by Travis and by Jason Parsons. Julian was quite inspired by the choreography.

We met four of her sons, including Danny Tidwell. We also met Jamie Goodwin, who is dancing with Rasta Thomas’ Bad Boys of Dance…yes, they have one number with two girls. He also got to talk with two guys in Rasta’s company — nice young guys (18 and 19), who were thrilled to have the opportunity to dance with Rasta. Julian would be, too, but he said he wasn’t sure he’d be thrilled about giving up college to do so; one of the boys had completed just one semester when Rasta asked him to join. He plans on going back in 6-12 months. Last, but not least, we got to briefly meet and talk to choreographer Sonya, whose work can be seen on So You Think You Can Dance. That was a thrill as well.

Julian is supposed to have a private lesson with Denise Wall the last week we are in New York. We are really looking forward to that as well, and I hope it pans out.

And last night we saw West Side Story, our last big Broadway dance event. It was a bit of a let down. The acting wasn’t great; it lacked the passion of the movie and too much of it was in Spanish, leaving us non-Spanish speakers in the dark about what was being said. A little bit of the dance lacked spark, too, but overall the dancing was very good. We enjoyed Cody Green, however, who I’ve had my eye on for my book, and I was able to ask him to participate! He agreed, so I’ll be following with him later on.

My daughter comes in tonight to explore NYU, and then my sister arrives. I’ll try to get at least one post in before the end of the intensive, but no promises. I’m trying to work, too…and that has to come first at this point. Sorry.

Half way through the fourth week of the American Ballet Theatre summer intensive and things are looking up. Julian’s foot isn’t hurting at all, although he plans to see the physical therapist on Thursday. He is drinking lots of things with electrolytes, so he isn’t dehydrated. He is no longer so muscle sore either. I have seen some kids limping out of the building, though, or wearing knee braces and such. He says everyone has some sort of ache or pain, but they are all just toughing it out.

Tap classes right now are the only extra  classes we’ve added into the mix. I’m a bit fearful of adding in much more ballet or even jazz; seems to me that it could be too much use of the same muscles. We are looking for Julian to possibly take a hip hop class sometime soon, and he will be taking Sue Samuels’ jazz class in the next few weeks. We made it to Michelle Dorrance’s tap class on Monday night, and Julian had a blast. Man, can that lady tap and teach! It was fast as all get out and Julian had to really work to keep up, but he had so much fun and learned a ton. I think he learned more in that one class than he has learned in any of the tap classes he’s had so far.

He’s really loving his “jazz” choreography piece at ABT, but I really think it’s more of a contemporary number. It’s set to four pieces of Elton John’s music. He doesn’t like his ballet choreography, because the boys really don’t do much and the choreography doesn’t even give them the opportunity to show off their classical ballet ability. He says they don’t get to “dance” much at all. That’s a shame…come all the way to New York to spend six weeks at ABT and then not even get to perform a good ballet piece for the performance.  Ah, well…he likes contemporary better anyway.

We saw Hair last night for Julian’s 15th birthday. It was a blast! What great, classic songs, great acting, superb singing, and tons of fun. Of course, there were a fair amount of swear words, references to drugs (and even a scene where they smoke pot), a brief scene in which they actors all strip off their clothes (but the lights are dim) and stand their naked, and more simulated sex acts than I can remember. I thought they looked like dogs in heat. Julian thought it was like a Viagra commercial gone bad — you know, like the caution about getting an erection that lasts more than four hours! Despite that, it was fun…and funny. We managed to get to the Olive Garden, his favorite restaurant, for three bowls of salad before hand, so, all in all, it was a great day.

Plus, he got to take a modern class with the violet level (two above his level) at ABT, and he went out to lunch with some friends. He got a bunch of money for his birthday to spend in NYC, so I think he had a pretty good birthday. I had fun, too!

I noticed a really nice article on the Boys and Ballet website about how to choose ballet classes for boys. It’s worth a read if your son is just starting out or you are looking to enroll your son in a more serious ballet program. It’s called, “How to Choose a Ballet School for Your Son” or “There are Special Considerations When Your Son has Ballet Dreams.” Search for it by one of those titles if you no longer find it on the first page of the site. (It’s written by C.A. Bates.)

The only thing I’d mention is that the author talks about ballet examinations. I’m no expert here, but Julian has never taken an examination. I believe these are required for certain types of ballet programs. He was in a Danish Bourneville program at Ballet San Jose School, and that did not require examinations.

The rest of the information is very good. I’d add, however, that the cost of a good and serious ballet program can get quite high, and not all schools offer boys great scholarships (although I think they should). Also, many of the programs I’ve encountered do not offer anything but ballet (she discusses programs that offer other styles of dance as well); they might have a modern class. We found that pursuing other dance disciplines was actually frowned upon by ballet schools in general. This seems odd when the trend in most classical ballet companies is towards inclusion of contemporary and modern choreography as well. Some are even branching out into more creative ventures, such as Ballet San Jose’s “Blue Suede Shoes,” a ballet written to the music of Elvis Presley.

I’ve been told over and over again in the last year that a male dancer who can do more than just ballet will find himself more of an asset to a ballet company — or any company for that matter — than a strict ballet dancer. While we were told that tap dancing and hip hop, as well as jazz, would not help his ballet training (and might actually hurt it), we are now being told to pursue all of these styles of dance if he wants to be more employable than the next man.

Now, would someone at ABT tell us that? I’m not so sure, but the male professional dancers I speak with do tell me that. Will you find that sort of well-rounded training in a ballet program? Not likely. If you find a serious ballet program offering all types dance, let me know!

Last week went off without a hitch — yes, even without Mom around to make sure Julian remained healthy. Of course, he was with a mom who makes sure her son goes to bed early and eats well and takes all his vitamins and supplements and such, so I knew Julian was in good hands.

The two boys only ended up going to tap class at Broadway Dance Center one night last week, and Julian loved the class he took. ABT actually had two late start days, which meant they only danced six hours, rather than seven, those days. And, on top of that, they had Friday off for the 4th of July. The boys were going to go to Steps on Broadway for a ballet class that day, but after walking six miles earlier in the day they were too tired! (I would have been, too…)

It seems that the third week of a summer dance intensive really is a turn-around week. The kids who have struggled the first two weeks start feeling better and getting used to the rigour of the schedule. Of  course, many of the kids who are at a ballet intensive like this one are home schooled and dance five or six hours a day already; they don’t find the intensive that much harder than what they already do. Many of the kids who are  in very intensive ballet programs at home also handle the program better than Julian has as well. His program at Teen Dance Company only requires that he dance three or three and a half hours a day four days a week. He usually throws in an extra couple of hours one day a week, and rehearsals add in extra hours on the weekends as well (which means he dances about 18 hours a week — sometimes more), but he isn’t dancing six or seven hours a day during the school year by any stretch of the imagination. That explains why he was so tired and sore the first week, and was still suffering from exhaustion the second week.

The physical therapist taped his foot last week, which helped that issue. She gave him stretches as well. He’ll see her again tomorrow. Thus, his foot is bothering him less. He drank a lot of water and fluids with electrolytes also. All in all, he seems to be doing better at this point.

Julian and I had a nice reunion when I picked him up on Friday…he even hugged me and told me he missed me. We went out for a nice Italian dinner, had Pinkberry yogurt and then came back and watched a two-week-old episode of So You Think You Can Dance on the computer (thanks to my mom, who sent us the recorded DVDs). We still have no television… (Julian bought the third book in the Eragon series yesterday, so I’m happy to say we will be spending some nights reading.)

We had a super Saturday: First, off to Broadway Dance Center, where Julian tapped with his old teacher and former (and current) Tap Dog Anthony LoCascio. Then we rushed off to the Metropolitan Opera House to see ABT perform in Sylvia. Then home and then out for a calzone and off to the West Side Highway to sit in “pens” on the highway itself and watch the fireworks over the Hudson River — along with about 2 million other people. The fireworks were awesome, but sitting there on the hard ground and having something wet get all over our towel and us was not so nice…nor was trying to get back by subway. That said, we had a really nice day and night.

Today, Monday, Julian was happy to get back to dance class at ABT and to see all his friends. He is very aware that the program is half over and time is running short. He wishes it would last longer, especially now that he is feeling good. He and three of the boys and one or two girls are the first in line each day (there about 45 minutes before they are allowed into the building to begin the trek up four flights of stairs — they aren’t allowed to take the elevator).

We are considering going to Michelle Dorrance’s tap class tonight. We hate to do a hard class early in the week, but we feel the pressure of our time here coming to an end. I wrote an article about Michelle and Dormeshia Sumbry-Edwards and Chloe Arnold for Dance Spirit magazine a while ago; they are all in Jason Samuels Smith’s “Charlie’s Angel’s” show. Jason considers these three female tappers the best out there…better even than some of the men. I’d love to have Julian tap with her and to meet her face to face. I’m trying to set up a private with her as well… She’s not on the road with Stomp anymore but performing right here in NYC — in fact just about five blocks away from where we are staying. So, I think Julian and I will go see the show, even though we’ve seen it before. (I wonder if she can get us good tickets…or get Julian backstage to meet the cast?)

Tomorrow is Julian’s 15th birthday! I got two for one tickets to Hair…yes, Hair. What a birthday present…full frontal nudity, references to drugs, profanity, and implied sexual acts. Ah, well, it’s all about the education, right? If he wants to be on Broadway one day, he’ll have to know that he, too, might have to get up in front of an audience baring it all (meaning sans dance belt). Even Daniel Radcliffe, of Harry Potter fame, bared all in his role in Equus. Plus, we have tickets to see Pilobolus, the Connecticut-based company that is known to perform at least half naked. So…call me a bad mom. Maybe I am. I’m probably not showing him anything he hasn’t seen before — or won’t see behind the scenes at a ballet or other dance production anyway (if not on the stage itself).

And with that, I’ll sign off for now. I have a ton of editing and writing work to do, which is making it possible right now for us to see these show! I need to get us tickets to West Side Story next…the only other big dance production other than Billy Elliot, which we see at the end of the month.

(Oh, Julian texted me last week to say he’d had his best day ever at ABT: great jazz class, super partnering class, and 20 minutes in the studio after class messing around with David Alvarez, aka Tony Award-winning “Billy Elliot” himself! Now the ABT summer intensive girls are texting Julian asking for introductions since he is David’s “friend.”)

More in a few days…